Breaking Ground

Posted by Melissa De Freitas | Posted in | Posted on Monday, March 22, 2010

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Finally got myself to finish reading "Breaking Ground" by Daniel Libeskind. Such an inspiration for ANYONE. He is an utmost optimist, which may be due to the fact that he has a happy and harmonious family. Whether it’s working on the Berlin Jewish Museum or the underground slurry wall for the reconstruction of ground zero in New York City, his ultimate goal is always to bring new vision and spirit of hope to people.


In the face of difficulties and attacks, Libeskind expresses selfless resistance, believing in his capability to contributing to humanity, arousing both memory and hope, without a single thought of giving up. Such indomitable will is indeed admirable and praiseworthy. As he says: “… you can be a gloomy musician, a disseminated poet and create art in the subject of despair, but you cannot be an architect and a pessimist at the same time.”

Essentially architecture is an optimistic profession; every step must carry belief and hope, from sketches on paper to three dimensional habitable space.

We must not lose our confidence or abandon our dream, but seek all possibilities to pursue our goals, indispensably with wisdom, courage and resolution. Not only can an affirmative outlook bring pleasure to us as architects during the creation process, but also to the people, to the world. So... let’s say YES to architecture!

Light and Life

Posted by Melissa De Freitas | Posted in | Posted on Thursday, March 11, 2010

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A reflection on the film ‘My Architect’





Tracing your footsteps in the hushed world,
I see your shadow casting on my face and my soul.
I hear the echoes of your voice,
The whispery sound I used to be familiar with, when I was a child.

Here, light and shadow transform along with the time,
Day after day, I see invisible presence.
A thread of warmness, a glimmer of hope
The light cast nothing else on the walls and floors
But, the feeling has been deeply engraved in the heart.
It was beautiful and unforgettable memories

Isn't this just as our life?
We come to this world in a hurry,
Running through time,
And one day we leave in a hurry.
Just as after the wind has passed,
It leaves no rustling sound among the trees;
After the geese have gone,
The pond doesn't retain their reflection.
This is the stillness of the world.
So why chasing after fame and fortune?
After all, we are the light,
Devoting ourselves into responsibilities should be enough.

Kahn's love for all things
Has been deeply embedded in his buildings.
Some people describe that
Architecture is the solidification of music.
We may say that it is also solidified love.
This love is a broad love.
Love for nature,
Love for mankind
Love for civilization,
Just like how light chooses to illuminate everything,
Empowering wind and rain to breed the land and lives.

Because of love,
We choose not to be fooled by the material world,
Not to follow superficial social trend.
Like his buildings, Kahn is strong and persistent.
Ultimately, architecture becomes a tangible expression of his love.
Even though he has gone, we are forever touched.

For those whom haven't yet watched the movie, follow this link for a sneak peek:
http://www.youtube.com/watch?v=kyR_V6Li4s4&feature=related

Des Baker 2010

Posted by Melissa De Freitas | Posted in | Posted on Wednesday, March 10, 2010

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Our second design project for the term was the Des Baker Annual prestigious competition. All 3rd year and B-Tech students are allow to enter this competition, provisionally limited to one entry per institution. All presentations are then judged during the annual student congress following directly onto the national AZA 2010 conference in September.




Image: Ifrsports, (2010), Sports News, retrieved 10 March 2010, from http://ifrsports.blogspot.com/2010/01/guide-to-teams-at-south-africa-2010.html


The theme for this year’s competition is "Sport is the Opiate of the Mass"

Each city suffers from its own cycles of fatigue and renewal, crime and corruption, wealth and poverty, xenophobia and global identity. An event like such as the world cup sports or Olympic Games can be linked to a major reunion or huge celebration.

History has repeatedly shown the slump of which follows as the final whistle blows. As the heads finally clear after victory celebrations, our cities may be left with multi-coloured elephants.

The brief required to investigate the third landscape within our city. This could be to cater for the many South African who are unable to attend world cup soccer in the stadiums, those who cannot afford and those who question the validity of such an event will need breathing pace to survive. A space for watching, play, discussion, dreams and inspiration, or just a place to escape to the streets and the stadium.

The design component may either investigate an urban space or alternatively an intervention to any 2010 stadium and surroundings.
It should provide real space of comfort and safety but raise questions about the event itself, its energy, it’s draining of resources and its aftermath.

Informing the Form

Posted by Melissa De Freitas | Posted in | Posted on Tuesday, March 09, 2010

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Des Baker: Concept Approach- Third Space

Posted by Melissa De Freitas | Posted in | Posted on Thursday, February 25, 2010

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Ash Wednesday

Posted by Melissa De Freitas | Posted in | Posted on Wednesday, February 17, 2010

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Growing up Roman Catholic has been challenging, exhilarating, imposing, rewarding, intimidating, and comforting all at the same time. Ever since I can remember, Ash Wednesday has always been considered as one of the most religious days on the year. Some refer to it as the holy day of obligation.


Ash Wednesday is the first day of the Catholic lent period, and continues for forty-six days (forty days not counting Sundays) before Easter. It is a moveable fast, falling on a different date each year because it is dependent on the date of Easter. This year it fall on the 17th of February.

Ash Wednesday derives its name from the practice of placing ashes on the foreheads of adherents as a sign of repentance. The ashes used are typically gathered after the Palm Crosses from the previous year's Palm Sunday are burned. In the liturgical practice of some churches, the ashes are mixed with the Oil of the Catechumens (one of the sacred oils used to anoint those about to be baptized. This paste is used by the minister who presides at the service to make the sign of the cross, first upon his or her own forehead and then on those of congregants.

During lent, the congregation does not sing during mass. We are on a spiritual journey, toward the Second Coming and our future life in Heaven. In order to emphasize that journey, the Church, during Lent, removes the Alleluia from the Mass. We no longer sing with the choirs of angels; instead, we acknowledge our sins and practice repentance so that one day we may again have the privilege of worshiping God as the angels do.

A Blessed Ash Wednesday to all.

Form and Space

Posted by Melissa De Freitas | Posted in | Posted on Tuesday, February 16, 2010

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Just had a debriefing on my first design project. Didn’t go too bad for a first attempt. The brief required a design of two buildings that were set in two different landscape, being self-same to each other. No program was required, but a definite inside and outside space needed to be obtained.

Buildings are either stereometric or stereotomic. Stereometric being a design that has been carved into its landscape, very dense, heavy. Where as a stereotomic design, is set above ground level, with a clear system grid, integrating itself with its surroundings.

1) My first design was set in an arid landscape. Its impure geometric form sets in apart from nature and explores a sense of natural. It’s monumental through its weight and timelessness through the choice of material.

  (Model 1)

2) My second approach was set in a romantic landscape. Its openness and pure geometric floating forms, is unassuming, creating a space that is in the round, no directionality. I light weight approach in the choice of material, integrating itself with nature subsequently being in itself ephemeral.

(Model 2)

The designs are self similar to each other by the use of the concret frame holding the buildings down. A self-same design would be linked by the choice of material and geometric forms. This will have tobe work on for my portfolio as their is not enough self-sameness within the designs.